QRO: What was making Summer of Fear like?

Miles Benjamin Anthony Robinson: I was given an amazing opportunity at a time when I was going through a fair degree of personal tumult.  It was very real.

QRO: How did it compare to making your self-titled debut?

MBAR: We did Summer of Fear in professional studios, one of which featured a very relevant view of the lower Manhattan skyline through a wall of windows in the live room.  Me and Kyp spent about 50 days sitting on leather couches making it.  The self-titled album was recorded using the other bedroom in my apartment as a control room while my roommate was in California; the view from my living/live room was of a lovely tree in my backyard.  Chris Taylor and I spent two weeks sitting on the edge of his bed in his apartment finishing it.

QRO: Did you record with this current band playing, other people, and/or just yourself?

MBAR: One member of my current touring band, David Morrin, played on the record.  The rest of that band was gone by the time I went on my first tour for the MBAR record.

QRO: What drew you to [label] Saddlecreek (Tokyo Police Club, Land of Talk)?

MBAR: I think a better question is: What drew them to me?

QRO: How is Kyp Malone as a producer?

MBAR: Well, if you're talking about skill then I think the record speaks for itself.  I feel incredibly fortunate that he and Dave Sitek (also of TV On the Radio) were so aggressively supportive about doing the record.  Given the slightly skewed state I was in, we might have benefited from him being slightly less permissive and indulgent of my whims.

QRO: Why are you doing these dates with Bob Mould (QRO live review) before the record comes out?

MBAR: We wanted to warm up before the record release tour since this band has never played live together.  So, as always, I will be playing a bunch of big shows with a totally under-rehearsed band.  Such is life.

QRO: Do you at least sell it at shows?

MBAR: The Summer of Fear CD [is] available beginning at the Boston show.  It is also available online.

QRO: How did these dates with Mould come about?

MBAR: I don't know, but I'm psyched.  I am a huge Hüsker Dü (QRO spotlight on) fan. 

QRO: After those dates, you're going to be playing CMJ (QRO recap).  What do you think of ‘industry fest like that, or SXSW (QRO recap)?

MBAR: I haven't been to a CMJ show since I was 18 or 19.  They are generally a pain in the ass to play but worse things have happened to better people.  I'm not playing six shows a day this year so hopefully the showcases won't be drunken disasters like last year.  I hope people have fun.  It was fun hanging out with a bunch of people from Brooklyn in Austin during tour but I imagine SXSW is far more annoying for the population of Austin than CMJ is for New York's.

QRO: Do you think being from New York makes CMJ less special to you?

MBAR: Yes.   

QRO: Have you ever had to play venues at CMJ that you knew, as a New Yorker, that you didn't want to/wouldn't play otherwise?

MBAR: Probably.

QRO: What do you have planned after CMJ?

MBAR: A month long national tour.

QRO: How did you find your current band?

MBAR: As I said before, David has been playing with me since spring 2006, the rest I met through my friend Holly Miranda (QRO photos, with that band) [of The Jealous Girlfriends - QRO spotlight on], who they also play with.

QRO: Did you always perform with a band, or did you start doing shows solo?

MBAR: I have always largely written and recorded alone (or with a single collaborator), and then taken those songs and played them with brilliantly incompetent bands.  It felt safe but wasn't good for ‘business'.  I am trying to be more straightforward these days.  My last band fell apart and I ended up doing a bunch of solo shows over the last five months, it was probably good for me. 

QRO: Do you do anything differently when you play outdoors, such as last year at South Street Seaport (QRO venue review)?

MBAR: Longer guitar solos. 

QRO: Why do you go by all four of your names?

MBAR: Indecisiveness and a generally contrarian nature.

Miles Benjamin Anthony Robinson playing “Always an Anchor” live at Mercury Lounge in New York, NY on November 20th, 2009:

QRO: Are there any songs that you particularly like playing live?

MBAR: "Trapdoor", "Always an Anchor", and "Boat" are usually a good time.

QRO: Are there any songs that you can't play live, because of the arrangement, or just don't like to?

MBAR: I feel very disconnected from the songs on the first album because I built them as a home recording thing and audiences have often been dissatisfied with my horribly-under-funded attempts to translate them to a live setting.  I've never really had the money or the band to make those songs sound like they do ‘on the record'.  Plus I wrote all that stuff when I was 20-22.

Miles Benjamin Anthony Robinson playing MBAR's “The Ongoing Debate Concerning Present vs. Future” live at South Street Seaport in New York, NY on August 8th, 2008:

QRO: What cities or venues have you particularly liked playing?

MBAR: I like Schuba's in Chicago.  Bowery Ballroom (QRO venue review) in New York was a big personal milestone.  All the big places we've played opening for better bands...

I've played a lot of pretty small and random venues over the past year and a half and honestly, after doing that in New York for a decade, I'm not really sure how much of a stomach I have for that anymore.  Too bad the music industry died.

QRO: Finally, do you have a favorite tour story?

MBAR: Have you heard the one about the guy who added two women to the two dudes in his band shortly before embarking on two and a half months of touring...  Then everyone except the dude start sleeping together resulting in two ended relationships a divorce and the eventual jettisoning of one of the sobbing members poolside in L.A. on tour?  It's a doozy.  Good luck.