Ever since they started over a decade ago, two comments have
always swirled around Liverpool's Clinic: they sound like no one else
(something that used to be up on their own webpage), and that they sound the
same, album-to-album.From their
early success (including an appearance on Late Show with David Letterman) with records like 2000's Internal
Wrangler and 2002's Walking With
Thee, to their failure to breakthrough and
relegated to the status of ‘cult’ band, the group's combination of old-timey
lo-fi instrumentation with near alt-country procession and singer Ade
Blackburn's (QRO interview) clenched teeth vocals has been very
consistent - like how the band always wears surgical masks and matching outfits
on stage, such as Hawaiian shirts on the tour for their last, Do It! (QRO review).Well, the four-piece actually breaks
their mold, or at least shifts a great deal, on their latest, Bubblegum, going softer & higher with more psychedelica
& wa-wa for a refreshing change, even if their old way is still better.
There's one element of Bubblegum that is consistent with previous records: the band's
output of an album every even year in the twenty-first century.But from the first notes of
opener/single "I'm Aware", the new record signals a new Clinic, lighter with a
lot of wa-wa.The lighter nature
means that Bubblegum is not some
psych-rock seventies retread; indeed, the only band that Bubblegum-era Clinic can still be compared to is pre-Bubblegum Clinic.And while the softer Clinic is nice, and it's good that they're
stretching, one can't help but feel that you liked them better before.
There are tracks that shift back to the older Clinic, such
as the stronger, louder processions "Lion Tamer" and closer "Orangutan", while
"Milk & Honey" and "Forever (Demis' Blues)" mix the old & new.The best mixture, however, is "Evelyn",
combining the high psych and Clinic procession.Bubblegum also
contains a couple of real curveballs, firstly the tropicalia-influenced
instrumental "Un Astronauta en Cielo", but especially the near-spoken word "The
Radio Story", which would be utterly original if it didn't sound so much like
Blur's near-spoken word "Essex Dogs".
‘Cult’ artists often get tarred with the ‘everything
he/she/they do is the same’ label, and often with good reason (can George
Romero make a non-zombie movie?...), even if what they do keep making is
good.Bubblegum nicely diverges from Clinic's well-trod path, while
still sounding like them (and no one else).If it's not as good as their prior material, well, it's not
like they haven't put that out in spades.