The Troubadour

<img src="http://www.qromag.com/wp-content/uploads/2009/09/troubadoursep19.jpg" alt=" " />Cymbals ate Hearts & Guilds when three New York bands hit L.A.'s Troubadour. ...

The Pains of Being Pure at Heart

Three New York bands, The Pains of Being Pure at Heart, The Depreciation Guild, and Cymbals Eat Guitars, stopped off on their cross-country tour all the way across the country at Los Angeles’ Troubadour on Saturday, September 19th.

Cymbals Eat Guitars

Cymbals Eat Guitars is one of the newer bands that are quickly making a name for themselves.  Their performance at the Troubadour in Los Angeles exploded into the ears of the people who were just arriving.  They are described as accomplished noise pop, spawning from the likes of Pavement (QRO album review), Sonic Youth’s (QRO live review) Goo and early Modest Mouse (QRO album review) albums.  The progression of each song seemed to want to take you higher and higher, reaching for that moment of a Guitar-Eating Cymbalexplosion without letting go.  There is a reason why their forthcoming album is titled Why There Are Mountains.  Crescendo sounds of electro-pop piano, fuzz guitars and harmonized vocals.  Cymbals Eat Guitar’s stage activity blasted into a high-energy groove where their bodies encompassed the music they were playing, bringing their sound to a whole new level of excitement.  By creating a fuller and personal stage presence, the band was aligned in a single row.  Band members were able to look next and see each other without turning their backs to the audience.  Recommended songs: "And the Hazy Sea", "Cold Spring" and "Wind Phoenix".

The Depreciation Guild

The second act, Depreciation Guild’s performance was weaker than expected.  The use of high delay and repeater-effect petals resulted in an overabundance of sounds, incorporating laser and video game effects.  Their music is described as space aged psychedelic rock.  The singers voice was reminiscent of Wayne Coyne of the Flaming Lips (QRO live review) but was overdubbed with echoes.  Adding to the overall feel, they incorporated a Mondrian inspired backdrop- consisting of flashing neon, square colored patterns.  Due to the darkness of their set, the patterns illuminated their set and set them off on a journey.

The Pains of Being Pure at Heart

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By this point The Troubadour was full of people anticipating The Pains of Being Pure at Heart.  From the first song heard, one was immediately reminded of Billy Idols’ "Dancing with Myself"; the irony was the band looked stiff on stage.  Their sound was clean and lively vibrant but activity was low.  The Pains of Being Pure at HeartSimilarly, the crowd expressed excitement, seconds away from animated dancing but something was holding them back.  The Pains of Being Pure at HeartThe self-titled record (QRO review) is solid.  An album one cannot help but move around to yet there seemed something the crowd couldn’t fully let go of.  Despite a firm stage presence, the band seemed to have been playing for themselves; almost as if were in the studio minus recording equipment.  The lead singer wouldn’t move more than two inches from the mike and his singing was muffled.  All the songs boasted a 4-4 dance tempo with no solos.  POBPAH sounded like a modern day Jesus and Mary Chain, mixed with the Pixies producing 1980’s synthesized feel.  The music was passionate, the audience was entertained, but they could have done more to enhance their performance.  All in all, those who arrived late missed Cymbals Eat Guitars, the band who stole the show.  The tour is continuing on southwest to southeast.

Cymbals ate Hearts & Guilds

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Concert Reviews
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