<img src="" alt=" " />North Carolina's Annuals did NYC right in an expansive and grand show. ...


Last year, Raleigh’s Annuals finally followed up on the break through success of 2006’s Be He Me with Such Fun (QRO review), a record that took advantage of the greater opportunities available to them, post-success, while retaining their grand, effective sound.  However, their subsequent tour was as opener for Minus the Bear (QRO photos on tour with Annuals), a band with their own, rather specific fan base.  In addition, their date in New York was part of CMJ (QRO CMJ recap); meaning industry types diluted their own audience in the Big Apple even more.  While that might have been great for reaching new listeners, loyal lovers deserved their own dates, and the band gave it to those New Yorkers when they returned to headline Bowery Ballroom (QRO venue review) on Wednesday, January 28th.

Adam BakerHump day in January as the economy continues Anna Spenceto melt down isn’t the best time to throw a show, and Bowery wasn’t stocked to the gills, but the crowd was thick with super-fans, including many shouts (from women and men) of how much they loved the band (though much of that was probably directed towards singer/guitarist Adam Baker – QRO interview – or the one female in Annuals, the alluring Anna Spence).  And now that all drum lightthe members of the group are at least old enough to drink, it’s not quite as cradle robbing…

In addition to the widened sound of Such Fun, Annuals have also widened their live performance to include an impressive light show, which they kicked right off the bat in their drum intro, as the single drums that Baker and guitarist Kenny Florence hit would light up with each smack (and this is from a band that already has two full drum kits on stage, one for drummer Donzel Radford, the other for a rare drummer/guitarist, Zack Oden).  After that, they kicked off with Such Fun’s dramatic “Hot Night Hounds”, bringing the band’s high grand into the air at Bowery (but not Oden & Radford on drumsforgetting the axe-work…).  After a rather young-spirited “What’s up?!?  Hi, we’re Annuals!” from Baker, the band continued to have Fun, albeit with the alt-country road-weary “Always Do” (though Baker did add in a “Are you having fun tonight?!?” afterwards), and went on to two more Fun standouts, the evocative beauty of “Confessor” and the country-twang speed & humor of “Down the Mountain”.

The band then switched up instruments, but Baker, originally the keyboardist in Florence’s Sedona (now Sunfold – QRO album review), didn’t take to the keys at all that night – and when he did switch guitars, it was to the wrong one (after Florence Donzel Radfordasked if it was the wrong guitar, Baker replied back “Wrong guitar Kenny!” in an almost mock-military bellow).  They also announced that they were going to play an old one, with which the crowd cheered – and Baker had to ask, “Which are Zach Odenyou more excited about?”  But they picked an oldie-but-goodie in Be He Me’s finisher “Sway”, which brings together the harmony, rhythm, expanse, and Kenny Florencerestraint of that record.  Annuals returned to present-day with the sophisticated alt-country of “Hardwood Floor”, but were then back in the past on the wistful “Fair”, the bright & smooth “Complete Or Completing” (whose opening charming lyrics of “Well I know / I ain’t spoken of love / In a queen’s age” drew roars of applause) and, after another instrument-switching interval, “Chase You Off”, whose atmospheric effects on record were given a massive dose of energy on Baker’s evocative chorus yell, “Well at least I found my sanity!”

Annuals playing "Hardwood Floor" live at Bowery Ballroom in New York, NY on January 28th, 2009:

The restrained piano of Such Fun’s “Springtime” was a touch too restrained after “Chase”, but Annuals brought it back with two of their three tracks from last year’s Wet Zoo split 7” (QRO review) with their alter-ego, Sunfold, “Around Your Neck” and “Sore”.  The catchy up-strum of “Around” was just as fun as on Wet Zoo, but it’s “Sore” that has seen real growth since it’s become a live staple, now as epic in both its sad, sweet parts and big, anthemistic portions as its excellent video (link).  The band then went into the encore break with the ultimate bookends to their career so far: Be He Me’s opening introduction to grandness, “Brother”, and then Such Fun’s sustainable shine closer “Wake”.

Annuals playing "Sore" live at Bowery Ballroom in New York, NY on January 28th, 2009:

The group quite quickly returned from encore break with Baker’s holler, “Well, I’ve got magic in my head – magic in my nose!”  Like on Be He Me, that introduced the bright-psychedelic “Carry Around” (which the band had bumped down all the way from the second slot on the set list – QRO photo), and got a loud cheer.  Annuals finally closed out the night with Such Fun’s up-down grinder “Hair Don’t Grow” – ending it like the show began, with a multi-man drum outro.

Annuals playing "Carry Around" live at Bowery Ballroom in New York, NY on January 28th, 2009:

Mike RobinsonThe six-person act is filled with standouts, and it can be a little hard to pick their ‘secret weapon’.  Is it Florence’s guitar work, or Spence’s keys – and hair?  Is it the workingman drummer Radford, or pretty boy multi-instrumentalist Oden?  No – it’s hyperactive bassist Mike Robinson (QRO interview), matching and even surpassing Baker’s funny faces while slapping and sliding that bass.  And together, all of Annuals gave their New York fans all they could have asked for.


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