Photos of Yo La Tengo at 2018 OctFest in New York, NY
QRO’s live review of Yo La Tengo at Central Park SummerStage in New York, NY on July 17th, 2017
Photos of Yo La Tengo at 2016 Pickathon in Happy Valley, OR
Photos of Yo La Tengo at 2013 Le Guess Who? Festival in Utrecht, Netherlands
Photos of Yo La Tengo at 2013 FYF Fest in Los Angeles, CA
Photos of Yo La Tengo at Prospect Park Bandshell in Brooklyn, NY on July 11th, 2013
QRO’s review of Yo La Tengo at Town Hall in New York on February 16th, 2013
Photos of Yo La Tengo at CMJ 2010 in New York, NY
QRO’s review of Yo La Tengo at Roundhouse in London, U.K. on November 8th, 2009
Photos of Yo La Tengo at KeySpan Park on Coney Island in Brooklyn, NY on July 13th, 2009
Photos of Yo La Tengo at 2009 Pitchfork Music Festival in Chicago, IL
Yo La Tengo’s diversity in art is rivaled only by their longevity. The iconic indie rock band has lasted & lasted, yet never felt stale, because Georgia Hubley, Ira Kaplan, and James McNew consistently do new things, and have the skill to pull it all off. For instance, even with all their own impressive material, Yo La Tengo might be the greatest cover band out there today, from obscure songs to “Meet the Mets”. Last year, they teamed up with Japanese artist Yoshitomo Nara for an LP to be included within a limited-edition catalogue for the LACMA exhibition on Nara. The first side was a collection of covers, chosen in collaboration with Nara, and one original, which is now getting its own Matador Records release as the Sleepless Night EP.
As befits Nara & Yo La Tengo, the covers are not obvious choices, but fit very well together, restrained and beautiful Americana such as The Byrds’ country journey “Wasn’t Born to Follow”. The version of Bob Dylan’s “It Takes a Lot to Laugh, It Takes a Train to Cry” is converted into moody loss, while Flying Machine’s “Smile a Little Smile for Me” is still oh-so-sweet. And there’s one original, the airy, wafting, “Bleeding” (QRO review).
Obviously, this is a bonus release from a band whose catalog is already stuffed past the brim, re-released on its own while we’re all stuck at home, desperate for anything new. But you can still always count on Yo La Tengo.